
When police officer Ilias is shot and left in a coma, Alma must reconnect with her former identity as Badh, a ruthless intelligence operative and skilled assassin. She brutally eliminates members of the Khoury family one by one, unleashing the fury of their leader Mansour, only to discover that Mansour is working with Joana her former secret service unit officer.
When police officer Ilias is shot and left in a coma, Alma must reconnect with her former identity as Badh, a ruthless intelligence operative and skilled assassin. She brutally eliminates members of the Khoury family one by one, unleashing the fury of their leader Mansour, only to discover that Mansour is working with Joana her former secret service unit officer.
This may mark a watershed moment for French "B" movies -- the first time Hollywoiux' slipped one in without making a single wave... Nobody has ever heard of her, but she's there! It's: Jaison Bleurne!! All jokes aside, this film seriously rocks and deserves at least an 80 in terms of execution (maybe not idea nor plot, but who actually tracks either of those bourgeois concepts nowadays anyways?) because it does exactly what it says on the tin. You want a dollop of <<frog circus>>? Well, you're in luck because we got *this*! Basically they sent a woman on a suicide mission, decided to use her again once she miraculously came back, then forgot how murdering her husband would make her feel and how deliciously covert her revenge would be... Classic trope for sure for sure, we all got it, but bravo nonetheless!! It has a satisfying build, robust finish, and an invigorating milieu -- comment below with how much more you could want! Points lost for doing in CG what a halfway decent stuntperson would have happily done **half-in-the-bagly** though.





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